As Managing Editor at Litmus Press (Nov 2019 - present), I collaborate on the editing, production, and promotion of around 6 titles per year, in addition to new editions and reprints from historical presses O Books and The Post-Apollo Press, whose catalogs we manage.
As former Project Manager at Belladonna* Collaborative (2017-2019), I was an editor on collaborative book teams for Samuel Ace’s Meet Me There, Lyn Hejinian’s Positions of the Sun, and Pamela Sneed’s Sweet Dreams.
I also work as a freelance editor— most recently on Johanna Skibsrud’s The Nothing That Is: Essays on Art, Literature and Being (Book*hug, 2019) and on Other Influences, edited by Jennifer Firestone and Marcella Durand for MIT Press (forthcoming 2023).
Other editorial work includes that done for my micropress, Most Perfect World, and for the Organism for Poetic Research. For the OPR, I edited Moina Pam Dick’s Moira of Edges, the collaborative project Executive Orders, chapbooks such as Jake Kennedy’s Made Line Sing, Lisa Robertson’s Thinking Space, Asiya Wadud’s A Well-Built Lean-To, and volumes 1-3 of the magazine Pelt. I also had the pleasure of co-editing Robert Duncan’s Charles Olson Memorial Lecture as a volume for the CUNY Lost & Found series II.
As former Project Manager at Belladonna* Collaborative (2017-2019), I was an editor on collaborative book teams for Samuel Ace’s Meet Me There, Lyn Hejinian’s Positions of the Sun, and Pamela Sneed’s Sweet Dreams.
I also work as a freelance editor— most recently on Johanna Skibsrud’s The Nothing That Is: Essays on Art, Literature and Being (Book*hug, 2019) and on Other Influences, edited by Jennifer Firestone and Marcella Durand for MIT Press (forthcoming 2023).
Other editorial work includes that done for my micropress, Most Perfect World, and for the Organism for Poetic Research. For the OPR, I edited Moina Pam Dick’s Moira of Edges, the collaborative project Executive Orders, chapbooks such as Jake Kennedy’s Made Line Sing, Lisa Robertson’s Thinking Space, Asiya Wadud’s A Well-Built Lean-To, and volumes 1-3 of the magazine Pelt. I also had the pleasure of co-editing Robert Duncan’s Charles Olson Memorial Lecture as a volume for the CUNY Lost & Found series II.
James Loop, Amatory Imitations (Most Perfect World + Pinsapo Press, 2023).
Johanna Skibsrud, The Nothing That Is: Essays on Art, Literature and Being (Book*hug, 2019).
Moina Pam Dick, Moira of Edges, Moira the Tart (Organism for Poetic Research, 2019). Cover design and typesetting in collaboration with Moina Pam Dick.
Asiya Wadud, A Well-Built Lean-To (Organism for Poetic Research, 2019). Design by RGW.
Jake Kennedy, Made Line Sing: an extemporaneous biography of Madeline Gins (Organism for Poetic Research, 2016). Designed and edited in collaboration with Timothy Anderson.
Lisa Robertson, Thinking Space, edited in collaboration with Ada Smailbegović and Daniel C. Remein (Organism for Poetic Research, 2013). Cover design by RGW.
Samuel Ace, Meet Me There (Belladonna* Series, 2019). With essays by Cameron Awkward-Rich, Ari Banias, Kay Gabriel, Andrea Lawlor, Eileen Myles, Joan Nestle, Pamela Sneed, TC Tolbert, and Yanyi. Co-edited with Maxe Crandall. Cover design in collaboration with Samuel Ace.
Pamela Sneed, Sweet Dreams (Belladonna* Series, 2018). Co-edited with Rachel Levitsky.
Lyn Hejinian, Positions of the Sun (Belladonna* Series, 2018). Co-edited with Krystal Languell and Rachel Levitsky.
Light Soluble Mediums, co-edited with Ada Smailbegović (Organism for Poetic Research, 2015). Design by RGW.
Pelt, vols. 1-3 (Organism for Poetic Research, 2012-2014).
Duncan, Robert. Charles Olson Memorial Lecture. Edited by Ammiel Alcalay, Rachael Wilson, et al. Lost & Found Series II. New York: CUNY Graduate Center, 2011.